The
Navarthri dedicated to Devi, the Divine Mother is celebrated
all over India. In some places it is called Dussera, in some
other places `Kalipuja' or `Saraswathi Puja' and in still
others, `Ayudha Puja'. During Navarathri days the Divine Mother
is worshipped in one or the other of her different manifestations
namely Durga, Saraswathi , Kali, etc. The Puja in connection
with Navarathri is known as Bhuvaneswari puja which means,
the worship of `Universal Mother'.
The
festival is celebrated during the first nine days in the bright
half of Aswina namely September-October. The last three days
of the Navarathri are called Durgashtami, Mahanavami and Vijayadasami,
and they are considered more sacred than the other days for
Devi worship. It is believed that by offering prayers to Devi
during these three days one can attain the full benefits of
observing the Navarathri rites for the whole period.
People
of Kerala celebrate Navarathri in a befitting manner. The
Saraswathi puja and Ayudha Puja are performed. The Goddess
Saraswathi is worshipped as the Goddess of Learning, the deity
of Gayathri, the fountain of fine arts and science, and the
symbol of supreme vedantic knowledge. The importance of Ayudha
Puja (the worship of implements) on this occasion may be due
to the fact that on the Vijayadasami day, Arjuna took back
his weapons which he had hidden in a Vani tree in order to
lead a life in disguise for the promised period of exile.
It is believed that one who begins or renovates his learning
to work on the Vijayadasami day will secure a grand success
as Arjuna did in Kurukshetra war.
On
the Durgashtami day a ceremony called Poojavaipu is performed
in the evening . In a village, generally, it is done only
in certain households, in temples and also sometimes in the
village schools. The Brahmin houses and the houses which enjoy
reputation for learning, mainly take the lead in celebrating
the festival. The members of other houses in the village attend
the ceremony performed in these houses or institutions.
In
a well-decorated room, books and grandhas (holy books) are
tastefully arranged with a picture or an image of Goddess
Saraswathi in front. In certain poaches weapons and implements
are kept by the side of books and garandhas. Then a Puja is
performed to Saraswathi during which fruits, beaten rice,
roasted paddy (malar), jaggery etc, are offered to Her. These
offerings are distributed among those present when the Puja
is over. Just before the Pujavaipu, all studies and work which
mainly require skill, are suspended.
The
following day is known as Mahanavami and it is totally devoted
to the worship of Saraswathi. Pooja is performed both in the
morning and in the evening. Many more items such as rice,
payasam, thirali, etc are also offered to Devi along with
the items mentioned above.
On
the Vijayadasami day after a Puja in the morning, the Books
and implements are removed from the room and this ceremony
is called `Puja Eduppu'. The time for the break up of the
puja marks the beginning of learning and work. Learning and
work commence at this auspicious moment.
Literates,
in general write the alphabets on sand and read a few sentences
from sacred books. Similarly the craftsmen and other skilled
workers do some work using their implements. At this auspicious
moment the children for the first time are given instructions
to write the first few alphabets on rice or sand. They are
thus initiated into the world of knowledge.
This
is called `Ezhuthinu Iruthu' or 'Vidyarambham' and according
to custom only after this ceremony child becomes entitled
to write or read.
There
are certain communities which celebrate the festival on all
days of Navarathri. Images of Gods, animals and toys of different
variety are arranged for exhibition and this performance is
called `Koluvaipu'.
Unique
is the Navarathri celebration at Sree Padmanabha Swami Temple
at Thiruvananthapuram. Apart form the usual pujas and rituals,
classical music recitals are held on the Navarathri mandapam
every night during the festival in which luminaries of Carnatic
music participate. Started by Maharaja Swathithirunal this
is a cultural event that the Musicians and instrumentalist
look forward to with enthusiasm and expectation.
|